My Dad's Truck

Sound Design and Mix by JETSONIX

  • Man in a Ford cap talking in a garage lined with framed pictures
  • Hand reaching for a blue Ford mug at a coffee machine
  • Custom badge and red marker light on the worn side of an old Ford truck
  • Garage wall covered in plates, badges and memorabilia
  • Door handle on the truck in low evening light
  • Rusted, stripped-out dashboard of the truck
  • Hands holding a padlock by a rusted door
  • Steering wheel and column of the truck in shadow

Stills from the film. Director: John Burton. Director of photography: Cayne Tucker.

1 / 8
Client
Ford
Production
Chrome Productions
Director
John Burton
Role
Sound design and final mix
Length
29 min 8 sec

For a film about legacy, the smallest details mattered.

Created in partnership with Ford Motor Company, My Dad's Truck is an intimate documentary about Todd Leach's attempt to rediscover and restore his father's lost truck.

What begins as a restoration project becomes something more personal: a journey through grief, memory, family and healing. The film also supports awareness for No Stomach For Cancer.

Gold

General Documentary, 47th Annual Telly Awards

Official Nomination

Best Documentary Short, 2026 International Motor Film Awards

The sound challenge

There are long stretches where the audience is carried almost entirely by sound, without music telling them what to feel. Keys landing on a table, a door opening, paper moving, a garage door rising, the hum of a hospital, a car travelling down the road: each small detail had to feel meaningful.

The mix needed to:

  • Preserve the imperfect character of real documentary recordings
  • Keep dialogue clear and emotionally present
  • Use silence and near-silence deliberately
  • Make everyday objects feel significant
  • Build contrast between intimate moments and larger musical peaks
  • Support the film's emotional rhythm without over-explaining it

The approach

The mix was developed through detailed remote reviews with John Burton, who worked from the United States while we worked from Warsaw. We used Frame.io for timecoded notes and Audiomovers LISTENTO for online sync review, so we could listen to the mix together in real time.

We reviewed levels, timing, perspective, silence, Foley and music together, then refined the mix immediately inside the session. The guiding principle was simple: make the real experience feel closer.

"It's a beautiful mix. So many little flourishes in here that really sell the emotion."

John Burton, director and editor

A soundscape designed not to draw attention to itself, but to make the audience feel closer to the people, places and memories at the centre of the story.

Credits

  • Sound design and final mix: JETSONIX
  • Director and editor: John Burton
  • Producer: Lauren C Brooks
  • Executive producers: Joel Mishcon, Robert Chew
  • Executive creative director: Stephen Parker
  • Global head of production: Melly Cook
  • Head of post production: Ben Turze
  • Head of technology: Joel Ogden
  • Co-producers: Ian Cohen, Karl Henkel, Tanya Moutzalias
  • Director of photography and colorist: Cayne Tucker
  • Production sound mixers: Ben Drain, Lon Keith
  • Motion graphics designer: Ben Drain
  • Special thanks: The Leach Family: Todd and Stephanie, Thomas, Justin, Rob, Daniel; James Miramontes, Lee More, John Ruebush, Dustin Campbell, Cody Blodget, George Seely, Nicholas Henderson, Dr. Paul Mansfield, Dan Gillet, Robert Chew, Sam Strong, Ford Motor Company, No Stomach For Cancer
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