ROOM FOR THE MOMENT
Sound design, dialogue editing and mixing for directors and producers who want their films to breathe.
DISCUSS YOUR PROJECTIn a good mix,
everything has room.
Depth, space, and the quiet between sounds. That's what lets a moment land.
SELECTED WORK
01Ford Racing Returns to WRCFord 02My Dad's TruckGold, 47th Telly AwardsFord03Great MigrationsFord04Closing the Data Gap in Elite SportGoogle Cloud05The JourneySilver Telly, 2024Toyota & Team GB06The World's Highest MarathonFord & BecomingX07The World's Deepest MarathonBecomingX & Boliden08Whoever, Whenever, WhateverVacancyHOW WE WORK
HEAR THE DIRECTOR
The brief, the references, and what to avoid.
FIND THE MOMENT
What should lead each scene, and what should step back.
MAKE ROOM
Dialogue editing, sound design and mixing, then stereo, binaural, 5.1 or Atmos delivery with stems.
WHAT CLIENTS SAY
With Eugene, I’ve always felt I had a true collaborator by my side — not just a sound engineer, but a co-creator. I strongly recommend him to anyone looking for someone who can handle both the basics with confidence and elevate the creative potential of a project with soul and artistry.
Producer, Biography Productions
Eugene is a real pleasure to work with. He has an innate understanding of what works in sound design to elevate a piece to the next level. I highly recommend him for any sound design project.
Art Director, The Mill LA
Eugene really blew us away by remotely scoring 40min Doc on an extremely tight deadline with very little input needed, he just ran with it. Very talented!
Vice President of Production, Levitate Media
A trustworthy, talented and very helpful sound wizard, who helped me with both location sound as well as sound mixing. Easy to work with and makes you feel prioritized at all times!
Account Director, OTW Media
We’ve worked with Eugene on several projects, and he always approaches his work with dedication and a deep attention to detail. His talent in sound design greatly enhances the overall quality of the final product.
Post Production Producer
It’s so rare to meet someone who’s talented and has wide knowledge about industry like Eugene, he has professional attitude and supportive personality.
Founder & CEO, Divine Touch Group
I’ve worked with Eugene on several TV commercial projects, where he managed everything from location sound recording to post-production, including voice-over casting. He ensured the audio quality was top-notch at every stage.
Producer, OneLittle
...His clear communication and calm, solutions-focused attitude make him a pleasure to work with. He always listens to feedback and puts in the effort to get the best possible outcome.
Producer, Partizan Production
...His passion for the result is unmatched, and it’s always a pleasure collaborating with him.
Producer, Homebox
QUESTIONS
Can you work with clients in the US, UK and EU?
Yes. JETSONIX operates out of Warsaw, Poland with a US-registered business entity. We collaborate with clients globally and offer review sessions via Zoom, Frame.io or Audiomovers. For ease of payment, we're set up for banking in both the US and EU.
What's your turnaround time?
For commercials under 3 minutes, we deliver a first version for client review within 24 hours of receiving all final materials. Most commercial projects are completed within 3 business days. For feature-length documentaries and longer-form work, typical turnaround is 10–14 days. Revisions are usually turned around within 1 business day, depending on complexity.
How much does a typical project cost?
Pricing depends on scope, timeline and deliverables. Ballpark ranges: commercials under 3 minutes, $900–$2,500; brand films of 3–15 minutes, $2,000–$5,000; feature-length documentaries or branded series, $5,000–$12,000+.
Can you fix or clean up bad audio?
Yes. We use iZotope RX and advanced restoration tools to clean dialogue, reduce noise and rescue less-than-perfect recordings.
Do you handle voice-over casting or recording?
Yes. We work with professional VO artists in multiple languages and handle casting, directing and clean delivery.
What formats do you deliver in?
Standard delivery includes WAV (48kHz/24bit), MP4 with final mix and multitrack stems if requested. We also deliver in binaural, 5.1 surround, Atmos or broadcast spec as needed.
What do you need to get started?
A locked picture, AAF (preferred) or OMF, music with stems if available, and any notes on direction or key moments to focus on.
Bring sound in before the edit.
A short, free call before you shoot or cut, on what to capture and what should lead.