World's Highest Marathon

Sound Design and Mix by JETSONIX

Client
Ford and BecomingX
Production
Chrome Productions
Director
Danny Etheridge
Role
Sound design and mix
Format
Expedition documentary

An expedition where the environment is part of the story.

Set in Chile's Atacama Desert, The World's Highest Marathon follows an extraordinary expedition attempting to complete a marathon from extreme altitude. The team must navigate hostile terrain, thin air, freezing temperatures, relentless wind and rapidly changing conditions, while supporting a record attempt that pushes both people and vehicles to their limits.

The result is a character-led documentary about ambition, doubt, teamwork and the physical cost of attempting something that has never been done before.

Started

16 adventurers began the challenge

Finished

Only 5 completed it

The sound challenge

The wind, altitude and terrain could not simply sit in the background. They had to create pressure, while the runners' breathing, footsteps, clothing, radio communications and voices kept the audience close to the human experience.

At the same time, the mix had to preserve the authenticity of the expedition: physical and cinematic, without becoming detached from what was actually captured on location.

The approach

Using authentic recordings from the expedition, we built a sound world around:

  • Wind as a constant and increasingly hostile presence
  • The physical detail of rock, boots, clothing and movement
  • The Ford vehicles working through difficult terrain
  • Radio communications and expedition logistics
  • Breathing and vocal strain during the ascent and marathon
  • Mountain and environmental textures that build tension
  • Clear, emotionally present dialogue beneath music and effects

As the team climbs and conditions deteriorate, the environment becomes more intense and claustrophobic. During the marathon, the mix opens up to give the runners' emotional journey and the music room to carry the payoff.

The aim was not to make the film sound artificial. It was to make the real experience feel more immediate.

The World's Highest Marathon playing on the big screen in the mix room during the final mix

"The work you've done has really helped elevate it into something we're incredibly proud of."

The team, after reviewing the final film in a professional master suite

A cinematic documentary mix designed to carry the scale of the landscape while keeping the runners and their emotional journeys at the centre.

Credits

  • Sound design and mix: JETSONIX
  • Executive producers: Joel Mishcon, Mark Wilson, Paul Gurney
  • Head of production: Melly Cook
  • Senior producer: Paul "Fletch" Fletcher
  • Production manager: Beth Falkingham
  • Production coordinator: Kelly Nong
  • Director: Danny Etheridge
  • Executive creative director: Stephen Parker
  • Senior creative: Sam Strong
  • Main unit director of photography: Dan Bowring
  • Camera assistant: Tom Reader
  • Sound recordist: Pete Lee
  • Drone operator: Ariel Marinkovic
  • Local producer: Jaime Molina
  • Fixer: Coli Whewell
  • Production services: Griyo TV / Will Hinklin
  • Expedition leader: Gavin Bate
  • Camp leader and lead guide: Guillermo Palma
  • Second unit director of photography: Neil Gordon
  • Gaffer: Sebastian Xander
  • Runner: Louise Wallace
  • Head of post production: Ben Turze
  • Head of technology: Joel Ogden
  • Post producer: Will Sellers
  • Editor and motion graphics: Andy Cardy
  • Assistant editor: Jonathan Cronin
  • Colourist: Cam Sander
  • Music licensing: Audio Network
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