EVERY FRAME hitS harder.

Sound design, dialogue editing and mixing for directors and producers who want their films to feel finished.

Discuss your project

Brands We’ve Worked With

what we deliver

  • Shape the story: dialogue editing, pacing, restoration, clarity

  • Build the world: sound design, Foley, atmospheres, sonic detail

  • Finish with confidence: stereo, binaural, 5.1, Atmos, stems, broadcast and web delivery

Recent highlight

Sound design and mix for Chrome Productions, Ford and BecomingX.


At the summit of Ojos del Salado, five runners attempt the world’s highest marathon through extreme altitude, freezing temperatures, volcanic terrain and relentless wind.

For this cinematic documentary, the sound needed to feel as hostile and physical as the environment itself. Using authentic location recordings from the expedition, we shaped the wind, mountain, vehicles, footsteps and breathing into part of the story, while keeping the character-led dialogue clear and emotionally present.

The result is an immersive documentary mix built to hold up in a master suite and bring the audience directly into the expedition.

WATCH THE FILM

case studies

Ford

Great Migrations

Google Cloud – Closing the Data Gap in Elite Sport

Google Cloud

Closing the Data Gap in Elite Sport

TEAM GB x Toyota - The Journey - Giarnni Regini-Moran.jpeg

Toyota & Team GB

The JourneY - Giarnni Regini-Moran

Ford & becomingx

the world’s highest marathon

Vacancy

Whoever, Whenever, Whatever

what our clients say

  • Eugene really blew us away by remotely scoring 40min Doc on an extremely tight deadline with very little input needed, he just ran with it. Very talented!

    Evan Scott
    Vice President of Production, LEVITATE MEDIA

  • A trustworthy, talented and very helpful sound wizard, who helped me with both location sound as well as sound mixing. Easy to work with and makes you feel prioritized at all times!

    Jonas Franzén
    Account Director, OTW Media

  • Eugene is a real pleasure to work with. He has an innate understanding of what works in sound design to elevate a piece to the next level. I highly recommend him for any sound design project

    Sasha Vinogradova
    Art Director, The Mill LA

  • We've worked with Eugene on several projects, and he always approaches his work with dedication and a deep attention to detail. His talent in sound design greatly enhances the overall quality of the final product.

    Andrei Kalesnikau
    Post Production Producer

  • It’s so rare to meet someone who’s talented and has wide knowledge about industry like Eugene, he has professional attitude and supportive personality.

    Ramy El Gabry
    Founder & CEO, Divine Touch Group

  • I’ve worked with Eugene on several TV commercial projects, where he managed everything from location sound recording to post-production, including voice-over casting. He ensured the audio quality was top-notch at every stage.

    Sergey Pestrak
    Producer, OneLittle

  • With Eugene, I’ve always felt I had a true collaborator by my side — not just a sound engineer, but a co-creator. I strongly recommend him to anyone looking for someone who can handle both the basics with confidence and elevate the creative potential of a project with soul and artistry.

    Igor Matusevich
    Producer, Biography Productions

  • ...His clear communication and calm, solutions-focused attitude make him a pleasure to work with. He always listens to feedback and puts in the effort to get the best possible outcome.

    Olga Galtsova
    Producer, Partizan Production

  • ...His passion for the result is unmatched, and it's always a pleasure collaborating with him.

    Darya Gutor
    Producer, Homebox

FAQ

  • Yes. JETSONIX operates out of Poland with a US-registered business entity. We collaborate with clients globally and offer review sessions via Zoom, Frame.io or Audiomovers. For ease of payment, we’re set up for banking in both the US and EU.

  • For commercials under 3 minutes, we deliver a first version for client review within 24 hours of receiving all final materials. Most commercial projects are completed within 3 business days. For feature-length documentaries and longer-form work, typical turnaround is 10–14 days.

    Revisions are usually turned around within 1 business day, depending on complexity.
    Rush options may be available — just ask.

    We’ll always provide a clear timeline upfront, based on scope and delivery needs.

  • Pricing depends on scope, timeline, and deliverables — but here are ballpark ranges based on recent projects:

    • Commercials (under 3 minutes): $900–$2,500, depending on complexity and scope

    • Brand films (3–15 minutes): $2,000–$5,000

    • Feature-length documentaries or branded series: $5,000–$12,000+

      Once we understand the creative scope and timeline, we’ll send a tailored proposal that fits your needs.

  • Yes, we use iZotope RX and advanced restoration tools to clean dialogue, reduce noise and rescue less-than-perfect recordings.

  • Yes. We work with professional VO artists in multiple languages and handle casting, directing and clean delivery.

  • Standard delivery includes WAV (48kHz/24bit), MP4 with final mix and multitrack stems if requested. We also deliver in binaural, 5.1 surround, ATMOS or broadcast spec as needed.

  • We’ll be ready to start as soon as we receive:

    • A locked picture

    • AAF (preferred) or OMF

    • Music (with stems, if available)

    • Any notes on direction or key moments to focus on

    Once that’s in, we’ll build a schedule and get rolling.